Kylie Jenner’s Lion Head Dress: Everything You Need to Know About the Look That’s Turning Stars’ Heads at Haute Couture Week

Written by Lea Dolan, CNN

Nothing says fiercer than using an apex predator as your brooch. On Monday, Kylie Jenner stole the show at Schiaparelli’s couture show in Paris when she arrived in a strapless black velvet dress adorned with a life-size lion’s head – a pre-release from the Spring-Summer 2023 couture collection of the brand that debuted later.

The hyper-realistic headliner (complete with manicured mane) covered Jenner’s entire torso. She finished the outfit with a pair of black Schiaparelli pumps with gold embossed toes.
Naomi Campbell walks the runway at the Schiaparelli Haute Couture Spring-Summer 2023 show.

Naomi Campbell walks the runway at the Schiaparelli Haute Couture Spring-Summer 2023 show. Credit: Estrop/Getty Images

Kylie Jenner attends the Schiaparelli Haute Couture Spring-Summer 2023 show on Monday with a head-turning accessory.

Kylie Jenner attends the Schiaparelli Haute Couture Spring-Summer 2023 show on Monday with a head-turning accessory. Credit: Jacopo Raule/Getty Images

Moments after taking the seat, Jenner’s surreal lion look was spotted on the runway again alongside a slew of other animal ensembles. According to the show’s notes, the collection was inspired by Dante’s “Inferno” and the nine circles of hell – a metaphor for the doubt and creative torment that all artists experience, creative director Daniel Roseberry wrote.

Literally inspired by the three beasts that appear in the 14th century poem, Roseberry reimagined the leopard, lion and wolf in the collection; “representing lust, pride and avarice respectively.” Naomi Campbell modeled a boxy black faux fur coat with a wolf’s head emerging from the left shoulder, while Canadian model Shalom Harlow wore a strapless snow leopard dress with a roaring feline head bursting across the bust.

The Texan designer at the head of a historic fashion house

The head-turning pieces have been entirely handcrafted from resin foam and other synthetic materials. Yet although Schiaparelli clarifies that the pieces are “fake taxidermy”, the visual parallel to trophy hunting means some social media users find the collection difficult to appreciate.

But for Roseberry, if the clothes instill fear, they do their job. “Inferno, Purgatorio, Paradiso: one cannot exist without the other,” he concludes in the show’s notes. “It is a reminder that there is no heaven without hell; there is no joy without sorrow; there is no ecstasy of creation without the torture of doubt.”

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